2018 Mid-Year Review

We’ve just reached the halfway mark of 2018, and already box office records have been broken, franchise fatigues shattered, and even gotten some extraordinary movies in the process. There’s no way to know how many of these will stick out as memorable features this time six months from now, but the front half of 2018 has certainly set a high bar for what’s to come later in the year.

So without further ado, let’s count down the best (and worst) of 2018 – so far…

The Worst

5. Insidious: The Last Key – This saga has trended in a logarithmic downward spiral and the latest entry is no real exception. Lynne Ramsey is strong (as always) as a medium battling inner and outer demons alike, but this uneven jump scare-fest abruptly wobbles between supernatural absurdity, real-world domestic abuse, and ambiguously creepy guys. It never makes up its mind around what tone it’s aiming for, so seems to strive for everything while achieving nothing.

4. Fifty Shades Freed – While not offensively bad, this *ahem* climax of another Universal property was a let down after the outrageously silly ride of the previous two Shades. The sex scenes weren’t as giggle-inducing, but the ending scene was surprisingly sweet and met expectations for how to tie this whole thing up.

3. Tomb Raider – More bland than anything else, this wannabe-blockbuster is a waste of gift from God Alicia Vikander, who we see race boxers on a motorcycle (!), solve cryptic puzzles without a sweat (her dad taught her, we’re told), and come face to face with an ancient witch’s curse. Action set pieces transpire before us, but the stakes never quite hammer home and nothing seems to matter. If any good comes of this, Ms. Vikander will be available to stick to the art house fare that made her a star!

2. Truth or Dare – On principle I see every horror movie, especially if it’s set in college, and Truth or Dare is both of those things. It’s a big mess though, filled with questionable decision making by its young heroes and a convoluted plot (and another age-old curse!) that’s both frustrating and 100% what you expect. A good takeaway though is a character referred to as “Day-Drinking Penelope” and a preposterous scene where she’s Dared to do shots and walk on the roof…or she dies!

1. A Quiet Place – I’m more alone than the lead isolated family on this one, but I found this movie endlessly silly and giggle-inducing. I appreciate the inclusive nature of A Quiet Place being told through ASL, but couldn’t keep it together through goofy set pieces like a camera panning over mega-pregnant Emily Blunt scared in a bathtub as tense music plays, or a revelatory moment highlighting John Krasinski’s exposition whiteboard: “What is the weakness?” when it all comes together. Bonus points for every moment a character turns around and “Shh”s another, just in case you forgot you have to be quiet or else an alien brutally kills you. This is a good one to watch in a high chair, while it’s all spoon-fed to you.

The Best

5. Black Panther – Not unlike Star Wars: The Force Awakens, the newest superhero entry in the Marvel-verse fires on all cylinders with its tremendous world-building and wide spectrum of instantly memorable and iconic characters. The fierce lineup of female leads and the terrifically unsettling villain are all so strong, you almost forget about His Panthersty (who’s also great in his own right).

4. Incredibles 2 – The story continues for everyone’s favorite animated super-family, as Elastigirl picks up superhero duties and Mr. Incredible stays home to watch the kids. It’s hard to compare it to the original (one of the great movies of the 21st century), but this one is loaded with more action, feels more timely, and is even more non-stop.

3. Avengers: Infinity War – Even months later, this one still looks like a Thanos-sized behemoth in the distance. This movie arrived with the highest of expectations and shattered even those, delivering a kaleidoscopic joyride across planets and franchises before delivering one final, devastating blow. More Rogue One than Guardians of the Galaxy, this challenging film proves that there’s no such thing as the Marvel formula and (hopefully) cracks open the creative possibilities for Phase Four.

2. Love, Simon – This is certainly the “smallest” movie in my top 5, which in some ways makes it the biggest of all. This is a story that has probably happen, and continue to happen, until we reach a post-orientation society where nervous young adults coming out is a thing of the past. Until then, we have a wonderfully sweet and reassuring story (from a major studio, no less) of one teen doing just that, and how he finds support (or otherwise) from those around him.

1. Annihilation – Alex Garland’s utterly terrifying follow-up to Ex Machina is an unforgivably intense journey to hell and back. A mysterious presence is spreading through the coast of Florida, and a team of scientists venture into this “Shimmer” to collect DNA samples and get out. This classic “adventure gone wrong” tale is inverted like a Möbius strip, as the women face monsters unknown and forces beyond their understanding at play. At the surface it’s a monster movie, but at its twisted core it’s a tale of identity and exchange, and what happens when that transformation unfolds unwillingly.

Advertisements

Three Backsides Over Northern Italy: “Call Me By Your Name” (2017)

This is brilliant.

Alby Seeing You

CMBYN-Meet2

Timothée Chalamet’s backside will go down in history as one of the greatest actors of his generation.  When Elio meets Oliver for the first time in 2017’s Call Me By Your Name, we see his face but briefly in the mirror.  As they separate from their handshake, Oliver’s reflection obscures Elio.  Thus begins the first of a recurring series of shots throughout the film in which Elio, at his most vulnerable, never shows his face.  Rather, we always find ourselves behind him, not quite catching up cinematically to moments that traditionally would see dramatic close-ups and intense stares.

After that first, crucial meeting, three more moments define his role in Call Me By Your Name.  Each one comes at important plot points within the narrative, giving us Elio willingly vulnerable to the situation at hand.  But, almost paradoxically, it is within these moments that he becomes empowered, stronger. …

View original post 1,386 more words