It opens with two men and a woman, drinking and having fun on a dark, murky beach. Two young mermaids, a strawberry blonde and brunette, appear at the surface. They serenade the men, casting a seductive spell, and are invited to come ashore. The woman lets out a piercing scream. The screen fades to a sublime sea-green as the disco beat of “I Feel Love” throbs in the background. My friend leaned over and whispered to me, “You love this movie already.”
And I did. Agnieszka Smoczynska’s The Lure has everything I could possibly want in a film: mermaids, singing, murder, tragic romance. It is a singular vision and wholly unique experience; you have never seen a movie like this.
The duo, two sisters named Golden and Silver, become part of a Polish family and join a nightclub band, transforming from two-legged bipeds into mermaids, onstage, to an enthralled audience. The songs are hypnotically staged, with pulsating electric lights pacing the stage as the mermaids gently sway in an oversized champagne glass, or rocking out and driving an audience into a frenzy.
The Lure is more than the no-holds-barred pleasure party depicted in its trailer, however. Golden and Silver come to face struggle and even heartbreak as they adjust to life on the land. The neon vibrancy of the club is a powerful contrast to the bleakness of their quiet ballads. Golden immediately finds love, but learns that winning the man in her life comes with sacrifice. Silver is left lonely, and fears her longtime bond with her sister is in jeopardy by Golden’s newfound romance.
Here is where the true gravitas of The Lure comes to the surface. Without feeling open-ended and vague, there are several nuggets to contextualize Silver and Golden’s story, and broaden the universe we find ourselves in. While a somewhat minor character, a former merman Triton, who has cut off his tail and lost his horns, is the only such creature we encounter, and as a horned being, is leagues away from the King Triton-esque image we have of these creatures.
The uncertain background of the mermaids is also alluded to when the duo first gets to the club. The owner asks how they learned such good Polish, and they respond that they learned it at the ports in Bulgaria. We have no other hints of where they are from, how old they are, though they mention that they eventually want to swim to America. The idea of these vagrant, potentially ancient, beings coming ashore and wreaking havoc makes The Lure all the more chilling and deliciously sinister.
While not for everyone, packing a fair share of gore, disco, and nudity, The Lure is a delightful treat if you can open your heart to an otherworldly dark fairy tale. I would gladly once again give in to its seductive siren song.